Friday, July 17, 2015

The Militant Orders in Literature - Two Reviews

Crusader by Michael Alexander Eisner


This is a melancholy, not to say morbid book. While extremely well written and well researched with excellent characters, I found myself just wanting to get it over with. The construction of the novel, a monk recording a "confession," has many intriguing advantages, but knowing from the start that the hero returned from the crusade a wreck suffering from "demons" made me dread reading the next chapter. I knew there was bound to be even worse to come. In retrospect, I also found the villain too evil.

That said, this is certainly a good book, even a profound book. This book does make you think, and the narrators are excellently drawn. This book even has a spark of genius in it. It is more than just a story, more than adventure or romance or mystery. It was definitely a Spanish book; I could see, hear and smell Spain in the pages, and readers who have an affinity to Spanish culture may like it better than I.

Yet it was too unremittingly depressing to satisfy me as a reader. Maybe I've just been lucky, but my experience of life is of light as well as shadow, of beauty as well as ugliness, and of good as well as evil. The light, the beauty and the good gets too little space in this book.


Silk Road by Colin Falconer


“Silk Road” by Colin Falconer is well named because the silk road itself is the most complex, vivid and well-drawn character of the book.  Falconer clearly did his research about the route itself – its changing geography and climates, and the diverse and fascinating people, who lived along it during the 13th century.  His descriptions of the route itself are vivid, informative and evocative, as are his meticulous and convincing portrayals of Mongolian culture, life-style and politics in this period.

Indeed, Falconer does an outstanding job of giving the reader insight into the Mongolian mentality and ethos without romanticizing it.  He is brutally honest about the repulsive excesses – of both drink and violence – without being self-satisfied or smug.  All in all, I felt he provided a balanced and nuanced picture of this, for us, alien society.  Likewise, his description of how the women’s feet were crushed and bound in China is one of the most brutally honest descriptions I have ever read. 

Unfortunately, Falconer does not match his very impressive knowledge of the Mongols and the topography of Asia with equal knowledge and understanding of the Christian world in the 13th century.  He depicts France and Provence of the 13th century as if he were describing Norsemen half a millennia earlier – huddling around smoking fires and wearing furs! Really? St. Louis? The man who commissioned St. Chapelle? The popes that built the palaces in Poitiers and Avignon? Another jarring example of his ignorance of French society is Falconer’s allegation that French women could not inherit property. Try telling that to Eleanor of Aquitaine!  Falconer appears not to have read Joinville’s account of the St. Louis’ crusade, or he would know King Louis could not command his Queen to so much as pay his ransom! He could ask it, not command it.  Finally, allow me a third example: Falconer repeatedly claims that Westerners did not bathe frequently and some were “afraid” to do so.  Absurd! Bathing is described in medieval books, depicted in medieval manuscripts and evidenced by archeology.  While the wealthy had their own baths, the poor went to bath-houses and tips were called “bath money” not “drinking money.”  It was only after the Reformation – and the spread of a strict morality that  saw bath houses as hotbeds of sin -- that hygiene deteriorated dramatically in European cities.  Given the fact that much of the dynamic of “Silk Road” rests on comparisons between “the West” and the cultures of the East, this profound ignorance of Western culture destroys the power and impact of Falconer’s alleged comparisons. 

Similarly, I found Falconer’s Mongol characters vivid and convincing. I liked his heroine Khetelun and her father very much.  They came to life for me in all their complexity and contradictions.  Kubilai and Miao-yen are likewise complex and compelling characters.  But Falconer fails miserably in making William a believable character.  William remains a caricature of heartless bigotry.  Furthermore, because he is a monotone character he is completely uninteresting. I kept hoping for some nuance, some change, some insight, but he remained flat, predictable and so boring.  Josseran eventually takes on some contours, but most of the book he is simply a vehicle for criticizing “Western” civilization – not as it was but as Falconer in his ignorance imagines it was.  He is obsessed with his sexuality and so in place of real dialectic with different cultures and religions, with have shadow-boxing.

The structure of “Silk Road” had the potential to offer provocative challenges to our understanding of Christianity, but it fell flat because the “Christianity” of this book is an empty fa├žade, only superficially related to the religion itself.  Certainly there were bigots and hypocrites who called themselves Christians and even preached Christianity, but if this book were to seriously examine the merits of the various cultures and theologies, it would have to portray not the counterfeit but the genuine “coin” of all the religions. It would have to discuss the religion itself – not create a straw man of sheer bigotry. 

At times I had the impression that Falconer genuinely hated Christianity, but in the end I decided he simply shied away for serious, theological debate.  It was easier to describe the superficial differences of simplistic characters than explore the depths of a complex theology.

In short, it’s not a bad book if you want to learn more about the Mongols in the second generation after Genghis Khan, but beware of the misinformation about Medieval Europe and don’t expect a genuine discussion of the theological differences between the great religions of the period.

The militant orders play a major role in my three part biography of Balian d'Ibelin.
Books I and II are on sale now!


     Buy now!                                                                                               Buy now!


A landless knight, 
a leper king,
and the struggle for Jerusalem.



 A divided kingdom,
a united enemy,
and the struggle for Jerusalem





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