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Showing posts with label crusader archaeology. Show all posts
Showing posts with label crusader archaeology. Show all posts

Monday, May 1, 2017

Review: "Crusader Archaeology" by Adrian Boas

Whereas in centuries past our understanding of the crusades was largely based on written records of the period, modern archaeology increasingly provides hard evidence of crusader lifestyle that challenges or refutes many common assumptions. Today we look at an excellent summary of some of the most important evidence uncovered by archaeologists and art historians.  
 

Crusader Archaeology: The Material Culture of the Latin East by Adrian J. Boas is a well-organized and comprehensive summary of key archaeological finds from the crusader period in the Holy Land. It provides the layman with an overview of the archaeological evidence from the crusader states uncovered to date and the bibliography provides the reader with a large number of sources that can be consulted for greater detail about any specific topic. Boas writes in a fluid and clear style that makes his often highly specialized subject matter comprehensible even for those not familiar with archeological and architectural jargon. This is a good starting point for anyone interested in the archeology of the crusader states.

As Boas demonstrates, modern archeology increasingly provides evidence to challenge many presumptions and prejudices about crusader “barbarity” — or decadence. The exquisite quality of crusader sculpture, frescoes, manuscripts, and glass-work, the evidence of glass-panes in sacred and secular buildings, the bright and wide-range of colors of the textiles, paintings and glass are all evidence of a culture that was anything but primitive. Equally important, the artifacts that have come to light demonstrate the unique and distinctive nature of crusader arts, crafts and, indeed, lifestyle. As Boas underlines with respect to a variety of fields, far from simply adopting the allegedly more civilized life-style of their enemies or predecessors, the crusaders blended familiar styles, particularly Romanesque art and architecture, with Byzantine traditions in mosaics, wall-painting and sculpture. On a more mundane level, textiles in the crusader states were not simply made of the wide range of materials from goat’s and sheep’s wool and linen to cotton and silk, they also included hybrid fabrics using silk and one of the other kinds of thread. 

For the historical novelist, this is a gold-mine of useful information! Boas provides photos, sketches and descriptions that enable a novelist to picture the rural and urban dwellings of both rich and poor.  His descriptions and photos of objections in daily use such as pottery, lamps, and textiles are equally valuable. The book is also filled with gems of information which can be used to give a novel greater color — such as the street in Jerusalem known as the “Street of Evil Cooking,” which was lined with the crusader equivalent of “fast-food” stands catering to pilgrims. Now that’s the kind of fact that any novelist can use to enliven a description of the Holy City in the age of the Leper King!
 

Friday, September 23, 2016

Hygiene in the Crusader States: Of Baths, Aqueducts and Sewers


One of the most persistent myths about the Middle Ages is that people did not bathe regularly and went around dirty and stinking. This is demonstratively not true. The Medievalists.net have published a good and lengthy post on the topic (Bathing in the Middle Ages), which provides a great deal of documentation and detail (such as Paris having 32 public baths in the 13th century and King Edward III installing taps for hot and cold running water in his palace at Westminster.) This entry is not intended to recount or compete with that or other sources, but rather focus on the unique traditions of "Outremer" or the Crusader States.

All the Crusader States established in the course and subsequent to the First and Third Crusades were in locations that had been under Greek influence since Alexander the Great at the latest. They had also been part of the Ancient and Eastern Roman (Byzantine) Empires before coming under Arab and Turkish influence from the 7th to 11th centuries AD. This means that for the native population the predominant traditions with respect to personal hygiene came not from the Germanic tribes, Vikings or Celts, but from Greece, Rome, Egypt, and Arabia.

Whereas bathing in Western Europe is usually depicted in small, wooden tubs with curtains over them...



..the baths of any Roman town were gracious, spacious and elegant, often open to the skies in a series of atriums surrounded by colonnades.  They were public spaces in which men conducted business and politics. The baths of Turkey and Arabia, on the other hand, while darker and more inward-looking, nevertheless were sumptuous with domed roofs and elegantly furnished with marble floors, benches, and fountains. They were less important for business and politics but all the more important culturally because of the emphasis Islam places on personal cleanliness. Both the Greco-Roman and Arab/Turkish traditions shared the principle of having both hot rooms for steaming/sweating (like a sauna) and cold rooms for washing off. Both also integrated massages with fragrantly scented oils into the bathing experience.

When the crusaders arrived in Outremer they found a large number of functioning bathhouses, particularly of the later (Turkish/Arab) type, already in place. Far from scorning, abandoning, dismantling or altering their function, the Frankish settlers adopted them readily -- rather like ducks to water, one might say.  Indeed, they started building their own, and archaeologists have identified a number of Frankish baths. These include baths in the Hospitaller and Templar headquarters in Jerusalem, at or near the monastery on Mt. Zion, at Atlit, a bathhouse on the Street of Jehoshaphat near the convent of St. Anne, and another in the Patriarch's quarter. (For more details I recommend Adrian J. Boas' excellent works Jerusalem in the time of the Crusades and Crusader Archaeology.) 

The Frankish settlers in Outremer adopted some of the bathing customs as well. Thus, while men and women bathed jointly in Western Europe, they probably bathed separately (either in separate spaces or at different times) in Outremer, although this is not 100% certain. The crusaders certainly adopted the custom of massages with scented oils stored in lovely glass vessels produced locally.


It wasn't only the bathhouses that the Frankish settlers of Outremer inherited from their predecessors. They also inherited Roman aqueducts and sewage systems. The Greeks (both Ancient and Byzantine) and Romans were famous for building very sophisticated and extensive networks for bringing fresh water to the public fountains of their cities, often from many miles away. The Franks followed this example and built a number of their own. Thus while cities dating from the Roman period or earlier had Roman aqueducts that the crusaders merely needed to maintain, the construction of new castles, new towns or water-intensive industry such as sugar plantations, brought forth new aqueducts that clearly date from the crusader period.





In crusader times, the city of Caesarea was served by no less than three Roman aqueducts. All photo copyrights: www.romanaqueducts.info
Likewise, the ancient cities were served by extensive (and again very solid and sophisticated) sewage systems. These consisted both of stone-faced drains and stone or pottery pipes. The Byzantines, for example, used pottery pipes to bring sewage down the outside of their residences from upper stories to underground sewage systems. Frankish castles had extensive latrines with sewers that emptied well below the level at which people lived. While rooftop cisterns and tanks provided the means to flush out these latrines with water (as we know castles in England did a hundred and fifty years later), the archaeological evidence is insufficient to verify the practice in the Holy Land. Archaeological evidence of highly sophisticated drainage systems to divert underground streams, however, have been uncovered, and the level of engineering skills available to the Frankish settlers of Outremer should not, therefore, be under-estimated.

To conclude, there may be a direct link between the hygienic conditions in Outremer and the hot-and-cold running water of Edward III and the Black Prince. The bulk of the crusaders, including Richard the Lionheart and Edward I of England, returned home, and by the time they went home they had probably become fond of the higher standards of hygiene enjoyed by the Frankish settlers -- the very standards that had induced the crusaders to ridicule the native "poulains" initially. (See Clash of Cultures)  The large number of crusaders returning particularly to France, Germany, and England may, in fact, explain the fact that Western Europe saw a flourishing of "bathhouse culture" in the 12th - 14th centuries. 

Throughout my Award-winning "Jerusalem" trilogy I endeavor to depict the lifestyle of the characters as realistically as possible.

                                                                                                                               Best Biography 2017

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Friday, November 7, 2014

Crusader Archaeology by Adrian Boas -- A Review

Crusader Archaeology: The Material Culture of the Latin East by Adrian J. Boas is a well-organized and comprehensive summary of key archaeological finds from the crusader period in the Holy Land. It provides the layman with an overview of the archaeological evidence from the crusader states uncovered to date and the bibliography provides the reader with a large number of sources that can be consulted for greater detail about any specific topic. Boas writes in a fluid and clear style that makes his often highly specialized subject matter comprehensible even for those not familiar with archeological and architectural jargon. This is a good starting point for anyone interested in the archeology of the crusader states.

As Boas demonstrates, modern archeology increasingly provides evidence to challenge many presumptions and prejudices about crusader “barbarity” — or decadence. The exquisite quality of crusader sculpture, frescoes, manuscripts, and glass-work, the evidence of glass-panes in sacred and secular buildings, the bright and wide-range of colors of the textiles, paintings and glass are all evidence of a culture that was anything but primitive. Equally important, the artifacts that have come to light demonstrate the unique and distinctive nature of crusader arts, crafts and, indeed, lifestyle. As Boas underlines with respect to a variety of fields, far from simply adopting the allegedly more civilized life-style of their enemies or predecessors, the crusaders blended familiar styles, particularly Romanesque art and architecture, with Byzantine traditions in mosaics, wall-painting and sculpture. On a more mundane level, textiles in the crusader states were not simply made of the wide range of materials from goat’s and sheep’s wool and linen to cotton and silk, they also included hybrid fabrics using silk and one of the other kinds of thread. 


For the historical novelist, this is a gold-mine of useful information! Boas provides photos, sketches and descriptions that enable a novelist to picture the rural and urban dwellings of both rich and poor.  His descriptions and photos of objections in daily use such as pottery, lamps, and textiles are equally valuable. The book is also filled with gems of information which can be used to give a novel greater color — such as the street in Jerusalem known as the “Street of Evil Cooking,” which was lined with the crusader equivalent of “fast-food” stands catering to pilgrims. Now that’s the kind of fact that any novelist can use to enliven a description of the Holy City in the age of the Leper King!

My three part biography of Balian d'Ibelin is set in the Holy Land in the late 12th century:


A landless knight, 
a leper king,
and the struggle for Jerusalem.





 A divided kingdom,
a united enemy,
and the struggle for Jerusalem
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