Forgotten Heroes of the Middle Ages

When I bestride him, I soar,

I am a hawk;

he trots the air; 

the earth sings when he touches it...

He is pure air and fire
 (Henry V, Act III, Scene 7)

If any one image is associated in the popular mind with the Middle Ages then it is the knight in shining armor on a (usually) white horse. 

 

Nor is the image entirely misleading.  Throughout the age of chivalry, the mounted knight dominated both the battlefield and popular culture. Yet, as I will explain, it was not the warhorse (destrier) alone that made the horse the true hero of the Middle Ages.

A 13th-century encyclopedia of animals written by the Dominican scholar and bishop Albertus Magnus lists four kinds of horses: warhorses (destriers), riding horses (palfreys), racehorses, and workhorses. Of these, riding horses and racehorses can be said to vary little from the horses of today, at least in terms of function, with the caveat that "riding horses" of the Middle Ages had to travel long distances in often difficult terrain and all weathers. Their role in medieval society and economy were not exceptional, however, being the same as it had been for thousands of years before and hundreds yet to come. Warhorses and draft horses, on the other hand, were fundamental in shaping medieval society in unique ways.

Starting with the more obvious, a knight could not fulfill his military function without a warhorse.  From Hastings to Bannockburn, the charge of heavy cavalry (knights) was the dominant offensive tactic of the age. Although a cavalry charge could rarely lift a siege and never secure a castle, when enemies confronted one another across a battlefield, knights clashed on horseback. Furthermore, a  well-timed, well-led charge was almost invincible.

In order to be able to deliver such a knock-out blow, however, knights trained for years to master horsemanship, mounted combat, and fighting in teams/units. So did their horses.

Not every horse could cope with the noise, the sudden movements, the flash of sunlight on metal, the blows, the crush of horses, and the smell of blood. Not every horse had the strength or stamina to carry an armored knight for hours, or the agility to respond to sudden changes of direction, the need to spin about or sidestep. This meant that warhorses had to be carefully selected -- and trained. Ultimately, man and horse had to respond as one being if they were to be an effective fighting machine with a chance of survival. 

It was to train for mounted combat -- particularly in small units as teams -- that tournaments developed. Historian Andrea Hopkins in her excellent work Knights [London: Collins & Brown, 1990] notes: “it is hardly possible to overestimate the importance of the tournament to the culture of medieval knights.” She notes that in addition to being “a crucial training ground in which young knights could practice the handling of their horses and weapons, tactics of attack and defence, and of co-ordinating their actions with a team of companions," the tournament also: 

  ...provided an arena for the display of all important knightly virtues: prouesse in combat, courtoisie to the watching and judging ladies, largesse to crowds of minstrels, heralds, armourers, squires and other assorted hangers on, and qualities such as the franchise and debonairete with which a knight should conduct himself in triumph and disaster (the qualities which later developed into the European gentleman's sense of fair play), and the pite which he should exercise to his defeated opponents. (p. 108) 

Indeed, over the centuries, tournaments were transformed from training events very similar to genuine combat into sporting and social events quite divorced from the reality of war. By the 16th and 17th century they were little more than pageants  -- but that was after the end of the Middle Ages. In the High Middle Ages, they retained their value as training while also providing entertainment.

In the world of the tournament, a knight's destrier was not only a tool of war in training with him but a part of his persona. Like his armor, his coat of arms, and his crest, his horse formed a component part of his image and identity. A beautiful horse made a good impression on the ladies, but an exceptionally responsive, fast or determined horse might make the difference between victory and defeat. The death or injury to a good mount, on the other hand, could destroy a knight's prospects -- and his financial position as well because warhorses were extremely expensive. 

It was a measure of just how important good warhorses were that a knight forfeit his destrier along with his armor in a tournament defeat. Successful tournament champions could opt to retain a captured mount -- or sell it back to the owner at a handsome fee. (Or, if inclined, show pity and largess by restoring it without charge or for only a nominal fee.) Likewise, inadequate reserves of good warhorses could have an impact on the outcome of battles. One can only imagine what might have happened at Jaffa, for example, if Richard the Lionheart had disembarked with his warhorses!

While the warhorse was not a specific breed as we know today, it was the product of centuries of horse breeding in the Early Middle Ages that had systematically produced larger horses than those of previous centuries and other regions, i.e. the horses of the Greeks and Romans or contemporary Mongols and the Arabs. Significantly, medieval horses were strong enough to carry a fully armored knight, but that does not mean that they were similar to draft horses in other ways. 

Furthermore, what defined them was not size and strength alone, but rather temperament and character. For a start, in order to keep them aggressive and spirited, they were not castrated. Albertus Magnus further claims: "It is a trait of these [war]horses to delight in musical sounds, to be excited by the sounds of arms, and to gather together with other chargers. They also leap and burst into battle lines by biting and striking with their hooves." (On Animals: A Medieval Summa Zoologica, translated by Kenneth F. Kitchell Jr. and Irven Michael Resnick [Baltimore: John Hopkins University Press, 1999]) 

Shakespeare captured this aspect of warhorse character in the opening of Henry V, Act IV, when he writes: "Steed threatens steed, in high and boastful neighs."

It is hardly surprising given how much time a knight spent training with his destrier -- and how dependent he was on the horse for his success and survival -- that strong bonds often developed between a knight and his charger. There is one recorded incident of a horse defending his unseated knight during judicial combat, preventing the opposing knight from delivering the coup de grace by repeatedly imposing his equine body between the human combatants. 

Albertus Magnus also writes:  "They sometimes care so much about their masters and grooms that, if [the latter] are killed, they grow sad and pine away, even to the point of death." The grief of knights for a good horse was also recorded in various texts. The images below of knights sleeping beside their grazing horses seem a lovely tribute to this close and trustful relationship.

 

Yet it was arguably the medieval workhorse that made the greater contribution to medieval society. The evolution of larger, stronger horses was critical to the agricultural revolution that greatly increased production and improved the nutritional intake of the common people dramatically. The stronger horses and tack designed to harness them to advanced plows enabled medieval peasants to not only scratch the soil but to turn it over, turning up more nutrients. The horses were faster too, plowing roughly twice as much in a day as the alternative draft animal, oxen -- much less human drawn plows. 

With more land under cultivation and greater productivity per acre, peasants could afford to leave one-third of their land fallow -- rotating crops and leaving land fallow to regenerate every third year. This further increased productivity and so diet as well. It has been argued that this agricultural revolution enabled human beings to reach their full genetic potential for size and strength for the first time in human history. Certainly, it resulted in human beings who were on average taller and stronger than people in other parts of the world in the same period.

Nor was it the plow horse alone who made such a dramatic contribution to the medieval economy. More powerful draft horses could also be employed in transport. The ability to transport heavy materials such as timber and stone was crucial to construction and ship-building. The more powerful draft horses could also be used to transport other commodities and finished products in larger quantities, thereby contributing to commerce and overall economic growth particularly inland, away from the waterways that had been the lifelines in the past. Unfortunately, the mundane, if essential work, of transport horses rarely captured the imagination or attention of medieval artists. The best I can do is a medieval "carriage."

Last but not least, draft horses also played a role in war, transporting heavy siege equipment, baggage and the wounded.  The ability to transport heavy equipment was cited by crusade historian John France as one of the West's significant advantages vis-a-vis their Saracen opponents.

 Horses play a role -- with names and personalities -- in all my crusades era novels:

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Dr. Helena P. Schrader holds a PhD in History.

She is the Chief Editor of the Real Crusades History Blog.

She is an award-winning novelist and author of numerous books both fiction and non-fiction. Her three-part biography of Balian d'Ibelin won a total of 14 literary accolades. Her current series describes the civil war in Outremer between Emperor Frederick and the barons led by John d'Ibelin the Lord of Beirut. Dr. Schrader is also working on a non-fiction book describing the crusader kingdoms. You can find out more at: http://crusaderkingdoms.com

Ransoms - An Essential Feature of Medieval Warfare

Following the battle of Hattin, the knights and noblemen who had surrendered to Saladin’s forces were held for ransom and would later be released.  The idea is quite alien to many modern readers, so today I step back to examine the tradition and its impact on medieval warfare.

The concept of ransom dates back to classical times, but during the Early Middle Ages it fell into disuse and we hear little about ransoms. By the mid-11^th century, however, they were back in fashion, and from the mid-12^th century to the end of the 15^th they were a dominant feature of modern warfare.  Although they have since disappeared from Western warfare, the criminal custom of capturing people for ransom still persists in some parts of the world such as Latin America and Nigeria. In Western Europe, the age of ransoms was the High Middle Ages, when ransoms constituted a fundamental aspect of warfare. Without them, the very course of European history would have been different.  Without them,  captured kings like Richard I of England and John “the Good” of France might have been killed rather than held for ransom. Indeed, the custom of allowing a captive to buy his freedom altered many aspects of warfare itself.

It worth noting, however, that the tradition of ransom was strongest in France. It spread with French influence to England but was not so well established in the Holy Roman Empire or Iberia. This may have to do with the popularity of crusading in France because the Byzantines and Arabs had a well-established custom of prisoner exchanges and ransoms, which the crusaders encountered in the Holy Land. Yvonne Friedman in her scholarly study Encounter Between Enemies: Captivity and Ransom in the Latin Kingdom of Jerusalem [Brill, 2002, 47] noted that:

In the Muslim world the crusaders encountered, the established practice was to hold captives for ransom, and prisoner exchanges were a regular part of diplomatic dealings between opposing sides...Ransom belonged to the Muslim precept of sadaqa and was viewed as both an individual and a 'state' responsibility. In short, the world the crusaders confronted in the East had a much more developed system of dealing with captives than the places from which the crusaders originated.

In the French/English tradition, ransoms were a means of enriching oneself, and the rules of tournaments reflected this by dictating that a captured knight had to surrender his horse and armor to his captor. It was the lure of loot as much as the hope for fame and honor that produced the “tournament circuits” of the 12^th to 14^th centuries, where knights traveled from tournament to tournament like modern-day professional athletes. But the fortunes made on the tournament fields were a pale imitation of what “real” ransoms could bring.

A man taken in battle by his enemy was completely at the mercy of the victor, and the stakes were impossibly high; the victor was within his right to slaughter or (if non-Christian) enslave his opponent. The custom of ransom dramatically decreased casualties, because the prospect of financial gain greatly increased the proclivity of victorious fighting men to show mercy toward those who surrendered to them. This had the unfortunate side-effect, of course, of making the lives of wealthy men more valuable than the lives of the poor. As a result, throughout the High Middle Ages, there was a tendency for those of a class deemed good for ransom to escape death, while their less fortunate followers paid the price of defeat with their lives.

But ransoms were not fixed and so not immutably tied to rank and title. They were always negotiable, and a rich merchant’s son — assuming he had enough time to describe the size of his father’s purse to his erstwhile murderer — stood as good if not a better chance of being granted the privilege of ransom than a poor knight. Ransoms were always based on what a man (or his family) could pay quite simply because there was no point in setting a price that one could not hope to collect — unless the real intent was to ensure the captive could never again raise arms against you.  

Every castle had its gloomy, windowless places...

Had Philip II of France, for example, held Richard the Lionheart captive instead of the Holy Roman Emperor, it is probable that he would have set demands intended to keep Richard in a dungeon for the rest of his life.  Likewise, the ransom set for John “the Good” of France after he was captured at the Battle of Poitiers was dictated far more by the political advantage of denying the French a rival king to Edward III than by thoughts of monetary gain. Except where kings and important nobles were at stake, however, ransoms were generally dictated by a captive’s ability to pay.

By which, of course, I do not mean the captive himself, for he was just that — held captive. Ransoms were usually raised by a captive’s relatives — parents, wives, siblings, children. If they couldn’t (or wouldn’t) scrape together the funds needed, then the appeal would go to cousins and in-laws, anyone who might have money and care enough for the captive to contribute to the cause. Lucky men, who enjoyed the respect of those more powerful and wealthy than themselves, might also be ransomed by their feudal overlord. Examples of this were the payment of Aimery de Lusignan’s ransom by King Amalric or William Marshal’s ransom by Queen Eleanor. In the case of captive kings and barons, of course, they did not have to rely on the generosity of those that loved or respected them. They could demand contributions from their subjects, vassals, and tenants.

Usually, a man was held in captivity until the ransom was paid, and conditions varied. Some men enjoyed comfortable “house arrest,” able to interact with the household and even family of the man to whom they had surrendered. Others were kept locked in a single room, even a dungeon. In the worse cases, prisoners were kept chained to the walls of their prison until the ransom was paid.  On rare occasions, a man (of high rank generally) might be freed on parole in order to enable him to better collect the sum owed. Famous cases of this were Baldwin of Ramla, who was released by Saladin after payment of only a small portion of the enormous ransom set, and Bertrand du Guesclin, who the Black Prince paroled so he could raise his ransom. The former talked the Byzantine Emperor into paying the outstanding portion of his ransom, and the latter raised his ransom from the King of France, Louis d’Anjou and Henry of Trastamare.   

While the payment of a ransom could financially ruin a man and his family, ransoms could make the fortune of those fortunate enough to take a valuable prize.  At the Battle of Poitiers, English and Gascons almost tore the French king apart in their eagerness to lay claim to his ransom. Desmond Seward describes the situation like this in his history of the Hundred Years War ( The Hundred Years War: The English in France, 1337-1445, Macmillan, New York, 1978): 

[King John] was recognized and surrounded by a great crowd of soldiers anxious to take so fabulous a ransom. Although he surrendered to a knight of Artois, he was still in peril, for the brawling mob of Gascons and English began to fight for him. Finally, he was rescued by the Earl of Warwick and Lord Cobham, who took him to the Prince [of Wales].

Few men had a share of a king’s ransom, but as long as a man was on the winning side, it was possible to accumulate a small fortune from the ransoms of lesser men. Ransoms more than plunder was what made the Hundred Years War so lucrative for England — and impoverished France. The latter was in part due to the fact that because a ransom was a reflection of a man’s ability to pay, it was also indirectly a reflection of his “worth.” The English soon learned that it was to their advantage to let French captives name their own ransoms because pride often induced the prisoners to name ransoms suited more to their self-image than the size of their pocketbook.  Even the Black Prince used this tactic when setting the ransom for Guesclin; the latter named the huge sum of 100,000 francs, something he could not possibly have raised from his own resources, hence the resort to the King of France et. al. 

Yet common as ransoms were throughout the High Middle Ages, they remained a privilege, not a right. The Knights Templar, for example, explicitly prohibited their members from paying ransoms. A Knight Templar was expected to die for Christ and find salvation for his soul in that act of martyrdom. This may have contributed to the Saracen tendency to slaughter captured Templars and Hospitallers; they had no monetary value and so eliminating them sooner rather than later made sense.

Normally, however, it was the circumstances in which the victor found himself, not the ideology of the captive, that determined whether a ransom would be accepted or not. In the heat of battle, many soldiers were overcome by “blood lust” that utterly obliterated their greed for gold. Or, when the battle was not one between mercenaries but between true adversaries, fighting men might simply hate their opponents too much to be willing to grant mercy. There were also times when commanders made a strategic decision to kill prisoners. A famous case in point here was Henry V’s order to kill the French prisoners taken at Agincourt. Underestimating the demoralizing effect of his initial successes, Henry V felt he needed every Englishman on the frontline, ready to repel the next attack by the still numerically superior French, making him unwilling to spare men to guard the prisoners.

Even more significant, however, is that by the Wars of the Roses commanders were beginning to prefer annihilation of the enemy’s ability to fight over the profit gained from ransoms. It is a clear indicator of the increasing hatred between the rival factions for the English throne that Edward IV allegedly told his soldiers to “kill the lords and spare the commons.” Edward IV recognized that the commons might not pay monetary ransoms, but they were his subjects and he gained nothing by killing them. The rebellious lords, on the other hand, were the threat to his throne.

In the subsequent century, as warfare became increasingly tied to religion and kings became increasingly despotic, the notion that an opponent might be allowed to live in exchange for a payment of money became discredited. Ransoms became anachronistic and eventually disappeared from the customs of Western warfare altogether.   

Ransoms are important in a variety of episodes in my award-winning trilogy set in the late 12th century and in The Last Crusader Kingdom.

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Dr. Helena P. Schrader holds a PhD in History.

She is the Chief Editor of the Real Crusades History Blog.

She is an award-winning novelist and author of numerous books both fiction and non-fiction. Her three-part biography of Balian d'Ibelin won a total of 14 literary accolades. Her most recent release is a novel about the founding of the crusader Kingdom of Cyprus. You can find out more at: http://crusaderkingdoms.com